Here we are again, at the start of a new NaNoWriMo noveling season! Already, I can feel the buzz of wordflies in the air and the quiet growth of plot bunny families.
Last year, my writing group embarked on a 'NaNoWriMo Preparation Quest'. We were going to be ready, we were going to write those novels. We weren't just going to meet the 50k and stop, we were going to take it and Hulk SMASH that 50k all over the ground. So, Crunchtober happened.
Crunchtober is pre-writing writing. From October 1st to October 31st, you write 500 words a day based off a prompt that I provide. Crunchtober serves many purposes:
Writing Daily
Not writing daily, or not being prepared to write daily is what does in a lot of people for NaNoWriMo. If you have a month's head start on daily writing, jumping into NaNoWriMo in November shouldn't be as difficult.
Word Count Goal
Sure, 500 words isn't as much as 1,667, but it's a start. With a specific goal in mind, and the aim to achieve it, sliding into a routine is less stressful.
Familiarity with Characters and Story
One option for Crunchtober is to write the prompts from your characters' perspectives in your NaNoWriMo novel. Last year, I knew my characters pretty well before NaNo started, and it really allowed me to deepen their relationships and motivations, because I already knew who they were.
Comfort Zone
Some of the prompts are designed to be funny. Some of them are geared towards action. Others are meant to inspire sadness. With a wide variety of subjects to write about, you're flexing all of your mental muscles, some of which may need the exercise. Step out of that comfort zone and tackle the issue.
Mindset
Part of the purpose of Crunchtober is to get your brain into the right gear. With one writing prompt a day, thinking about the long term goal - writing a novel - is inevitable, especially if you're using the characters from your upcoming novel. Crunchtober raises the excitement in your brain as the prompts tick up to Halloween. Plus, they're fun. Who doesn't want to have writing fun?
I'll be providing one prompt daily on Twitter under the hashtag #Crunchtober, so search for it! And remember, the more the merrier!
Sunday, September 30, 2012
Sunday, July 1, 2012
Camp NaNo: Failure or Learning Experience?
I've
been gone for a while, I know. And I'm
going to jump right into this blog like I haven't been missing. That's what life is all about, right? Jumping into things without a plan?
Sometime
in May, I decided that I wanted to attempt the June Camp NaNo. I was going to rock it, I was going to hit
that word wall like a rocket and blast it apart. Even better, I was going to take a story idea
that was not my own and pants it like a fourth grade bully. It was going to be epic.
And
then life happened.
I
wrote twelve thousand words and just...stopped. I didn't have a good reason for it. I certainly didn't have any excuses. One day, I just didn't sit down to write and
the motivation died. It wasn't even so
much that I lost my motivation, it was...something else. There was no love. There was no passion, no desire to sit down
and write. It wasn't my story and I
didn't want to do it.
Don't
get me wrong, I learned something. I learned a lot of somethings. I learned that
I, the machine, have limits to how much and what I'm willing to do. I learned
that I am not a pantser. I need an
outline, I need history and background and a big world to work with. I learned that occasionally, life gets in the
way and that GASP! sometimes there is something more important than shooting
down wild words and fitting them together.
I
also learned something else, something more important than all the other things
combined. Don't start something you have
no intention of finishing. I've
committed the worst authorial crime ever: I've left a story half-written and
unfinished. And that's bad.
So,
I learned something. About myself, my
habits as a writer, my future in the literary business (oh, it's there, I know
it). I failed the goal of Camp NaNo, but
it wasn't a total waste. And someday,
I'm going to go back and finish that story.
Wednesday, February 22, 2012
Something about Limits
![]() |
See what he's doing? That's what you should do. |
As
machines, we all have our limits. We all have that sign that plainly
says, "Stop, Cliff Ahead." Everyone is different. We
all go to different distances, have different things that make us break. The
important thing is that we know our limits. To not
know where your limit lies is to not know how much you are able to
accomplish. If you never know what you're capable of, how will you
ever push yourself to the edge?
Writers
need goals. How hard we push
ourselves is what drives us to reach those goals
and body slam them into a barbed wire fence.
In
my experience, there are three basic types of person. We all have
different ways of dealing with stress, with pushing ourselves, with setting
goals. Everyone does. Generally, everyone also fits into
some sort of category (and don't tell me you don't, because that's its own
category). There's nothing wrong with any of these people. (Also,
I like both lists and labels.)
The
Walker
These
people work slowly. Any disruption of their routine and the plan and
motivation is gone. Their limits are very close to home. Often,
they work for short amounts of time while taking frequent breaks. There's
nothing wrong with this, in fact, it might be the most healthy type. Walkers
have a hard time pushing themselves, however, because they're unaccustomed to
it, but they almost never need long term breaks. Slow and steady
wins the race.
The
Masses
This
is probably most of everyone. You have a limit. You know
where it is. You don't go over it. Nothing wrong with
that. As long as you know where it is, the Masses can keep
themselves happy and healthy relatively easily. The Masses know when
and where to go over the limit and push themselves, but it isn't a common
occurrence. These are the people who 'bring out the big guns' to get
things done, and then quietly store that gun back in the closet until the next
time.
Limits,
what limits? a.k.a. The Machine
This
is me. Walkers and the Masses call these people machines. They
work tirelessly. They work until their eyes are bleeding. They
dance on the limit line, then take a jackhammer to it. Capable of
achieving vast amounts of work in a very short amount of time, we're your
standard Kamikaze. We're perfectly willing to break ourselves to accomplish
our goals, and will if we believe it necessary. While
it sounds all well and good, this is unhealthy! Some Machines are
capable of keeping up the pace for weeks or months at a time...until we break
and have to recover.
Find
your limit, no matter what sort of person you are. Find it. Know
it. Respect it, unless you're a Machine, in which case, respect is a
nonissue. And cross that line. Know what
it's like to push yourself, and if you're uncomfortable there, that's
fine! Everyone has their own pace, methods, and general idea of how
they do business, but every once in a while, we have to challenge our routine
or risk stagnation.
How's
your work ethic? Where are your limits and how do you know you've
crossed them? Do my questions sound like standard essay questions
for a college exam?
Friday, February 17, 2012
The Importance of Relaxing
![]() |
See this? This is what I want to be doing. |
Relaxation. The
most wonderful R word ever. Except for maybe reading. Or
racecar. Just how important is relaxation anyway?
It
is the difference between life and death. Really.
The
human brain and body are extraordinary machines that every science fiction
writer tries to make of cyborgs. There will never be a more complex,
efficient machine than the human system. Our brains are capable of
more processes a second than whatever fancy piece of technology you're reading
this on. Our bodies are capable of movement so fine that our brains still haven't
found a way to replicated it in a robotic being. Everything is connected
by weird organic wires and filaments so tiny that the smallest gust of wind
could break them. And yet, in this chaos, everything works in perfect
tandem. Most of the time, every separate component is working so well
that we don't even know it's working until it stops. We're that
amazing.
Unfortunately,
like 'real' machines, we do break. Whether by doing battle with
words on a screen, or just plain working too hard, we eventually wear down and
demand maintenance. Just like a car needs oil every few thousand
miles, we humans and our brains need relaxation every few days (or hours). And
generally, when one things goes, it quickly feels like everything else is,
too. It begins in the brain.
Our
brains, amazing computers that they are, need...stupid time. Yeah, I
said it. Stupid time. Put down that manuscript, hang up
the phone, turn off the computer. Get away from
technology. It's like the Jedi mantra, Technology leads to stress,
stress leads to frustration, frustration leads to anger, and anger leads to the
dark side. Don't get caught in the dark side. When you
relax, technology is the last thing you should be thinking about.
If,
by some weird, infinitessimal chance you don't let your brain
rest for a little while, your body will break. No joke. The brain,
clever cat that it is, starts sending messages to your heart, to your kidneys,
to your freaking immune system command center (whatever that
is). And your brain will force you to relax. Don't
let things get to this point.
As
creative people, we're often too busy being creative, that we don't know how to stop being
creative. So find something relaxing and creative to do (or, you
know, pop in a movie and relax on that La-Z-Boy, you dog you). Whatever it
is, take the time and enjoy what you're doing without worrying about the
result. Our novels tear holes in our hearts and heads. Find
something to do that won't.
And,
like writing, if you don't have time to relax...make time. Your
art will love you for it, and I can guarantee that you'll have a greater love
and appreciation for your art when you're rested and ready to come back to it.
So,
tell me. How do you relax? How does your quality of work
differ when you're stressed and when you're rested? you're rested?
Tuesday, February 7, 2012
Motivation Part Two: The Hunt
Yesterday, we talked about our excuses for why we don't write. Believe me, I've been there. I know what it's like to feel down because it just isn't coming out the way you want it to. We've all been there. And when that motivation seems like it just won't come in the door and stay for tea and Stargate, I've been there, too.
The Hunt for motivation is something that I'm not sure many people think about. A lot of writers think that motivation comes to them, that it knocks on the door and asks you to buy. That's not the way it is. Motivation is the great white whale ghosting through the sea, driving sailors and storytellers mad. It is elusive and slippery and harder to catch than a buttered cat.
But fear not, noble story-spinners. There is a way. That cat can be captured. In fact, there are many ways and methods, and each person has a different way of sorting things out. Here are four things that help me:
1. Go for a Run
And if you don't run, do something else to get the blood flowing. Hell, do jumping jacks, sing at the top of your lungs while shadowboxing bad actors on TV, I don't care. Blood circulation stimulates every feel good sensor that exists in your body. The better you feel, the more likely you'll want to work on something creative.
2. Dream a Little
Not too much, though. Staying grounded (a post for another day) is an important part of being a writer. But if we don't dream, then we don't create. Imagine the end product: Your novel on a freaking shelf in Barnes & Noble. Your screenplay sitting on Spielberg's desk. Then, understand that it won't get there by itself, and that you're the only pen-wielder who can carve that hunk of story into shape. If you have the end goal in mind, it can make the journey there a little bit easier.
3. Set Goals and Consequences
THIS. If you ignore everything else I say, don't ignore this! Set reasonable, yet challenging goals and create consequences if you don't meet your goals. With a good goal in mind, it's easier to focus and easier to let the motivation and will flow freely. And listen to this, the consequences you set actually have to be really unappealing. Something that you absolutely do not want to do. Otherwise, what's the point? Be responsible and hold yourself accountable. I guarantee that you'll be feeling a lot more motivated than you were before.
4. Sit Down and Write
Honestly, this is my modus operandi. Don't want to write? DO IT ANYWAY. Don't want to edit? DO IT ANYWAY. Don't have time? MAKE TIME. This is the simplest rule. I often hear people say, "It isn't that easy." That's a lie. It is that easy. Find the will, find the drive, put away the controller or cookbook or action figures and sit your ass down and write! And then think about Rule #2. No one is going to achieve that dream but you. Hop to it.
These are just a few things that I've found help me to get motivated, or to help me sit down and write every single day. There are some days when I really just don't feel like it. And you know what? I sit down and do it anyway, even if it's for ten minutes. But I'm not everyone. As my writing group lovingly calls me, I'm a machine. Jamie the Machine. I like it.
What helps you get motivated? How you do battle the days that motivation just can't be found?
The Hunt for motivation is something that I'm not sure many people think about. A lot of writers think that motivation comes to them, that it knocks on the door and asks you to buy. That's not the way it is. Motivation is the great white whale ghosting through the sea, driving sailors and storytellers mad. It is elusive and slippery and harder to catch than a buttered cat.
But fear not, noble story-spinners. There is a way. That cat can be captured. In fact, there are many ways and methods, and each person has a different way of sorting things out. Here are four things that help me:
1. Go for a Run
And if you don't run, do something else to get the blood flowing. Hell, do jumping jacks, sing at the top of your lungs while shadowboxing bad actors on TV, I don't care. Blood circulation stimulates every feel good sensor that exists in your body. The better you feel, the more likely you'll want to work on something creative.
2. Dream a Little
Not too much, though. Staying grounded (a post for another day) is an important part of being a writer. But if we don't dream, then we don't create. Imagine the end product: Your novel on a freaking shelf in Barnes & Noble. Your screenplay sitting on Spielberg's desk. Then, understand that it won't get there by itself, and that you're the only pen-wielder who can carve that hunk of story into shape. If you have the end goal in mind, it can make the journey there a little bit easier.
3. Set Goals and Consequences
THIS. If you ignore everything else I say, don't ignore this! Set reasonable, yet challenging goals and create consequences if you don't meet your goals. With a good goal in mind, it's easier to focus and easier to let the motivation and will flow freely. And listen to this, the consequences you set actually have to be really unappealing. Something that you absolutely do not want to do. Otherwise, what's the point? Be responsible and hold yourself accountable. I guarantee that you'll be feeling a lot more motivated than you were before.
4. Sit Down and Write
Honestly, this is my modus operandi. Don't want to write? DO IT ANYWAY. Don't want to edit? DO IT ANYWAY. Don't have time? MAKE TIME. This is the simplest rule. I often hear people say, "It isn't that easy." That's a lie. It is that easy. Find the will, find the drive, put away the controller or cookbook or action figures and sit your ass down and write! And then think about Rule #2. No one is going to achieve that dream but you. Hop to it.
These are just a few things that I've found help me to get motivated, or to help me sit down and write every single day. There are some days when I really just don't feel like it. And you know what? I sit down and do it anyway, even if it's for ten minutes. But I'm not everyone. As my writing group lovingly calls me, I'm a machine. Jamie the Machine. I like it.
What helps you get motivated? How you do battle the days that motivation just can't be found?
Monday, February 6, 2012
Motivation Part One: The Excuse
Welcome all, to my
multi-part extravaganza about that dreaded thing called 'Motivation'. We've all
heard and said it so many times. Say it
with me right now: "Mo-tiv-ay-shun".
Sort of an abstract concept, isn't it?
Motivation is what makes us
go, and often we either have it or we
don't. There isn't really a middle
ground. You never hear people saying,
"Oh, I'm only partly motivated today." That's sort of like saying, "Oh, I'm
only partly alive today, but don't worry about me, I'll be fine." Yeah, sure.
And I'll only partly breathe
today, but don't worry, I'll be fine.
Often, writers talk about
motivation like it's something physical, something you can hold and touch and
keep in a little cage by your computer.
Wrong. Motivation doesn't come
from any external sources; it isn't air, and it sure as hell isn't
cheesecake.
Here are some excuses that
I commonly hear from writers claiming that their motivation has been lost in the
winds of time or some other excuse. Actually, these pretty much double for excuses of why people don't write.
1. "I'm just not
motivated."
What does this even
mean? This spells defeat. If you're not motivated to create a story, to
polish and shine that manuscript, to torture your characters until they're
screaming UNCLE! back through the computer screen, then what drives you to
create? How strong is your desire? If the will is strong enough, the motivation
will come on its own.
2. "I have homework/babies/lives
to save, and I'm too busy."
While all of that may be
true, it's still an excuse. Sure, you're
busy. I'm busy. We're all busy with this grand thing that
most of us call life, or unlife if you're undead. Take that motivation and store it away for
the next day. Jot down your ideas in a
book, the notepad on your phone, a freaking napkin at a greasy diner, I DON'T
CARE. Just make sure that you cage that
desire for tomorrow.
3. "I need inspiration
before I can get motivated."
Ah ha, the famous 'muse'
argument. This is a particular breed of
artist that pops up every now and then and gives the rest of us a bad
name. Inspiration surrounds us. Everything is a miracle, and if you're waiting
for the angels to come from their heavenly home to give you that motivation, you'll be waiting forever.
4. "After I catch up
on all of my shows, then I'll be free to get motivated."
This is not lack of
motivation. This is lack of will.
But it still applies. Don't use
your entertainment as an excuse not to write.
Use it as a reward for when your motivation takes hold of your story and
makes it change.
5. "The story is
really dragging and I don't like it anymore."
Another common excuse for
lack of motivation. It may be true. Maybe your novel is falling apart beneath
your fingertips, the characters are flat, the world is gray with a touch of
gray, and the plot is a tangled string that a kitten has lost down the gutter
of your mind. Whatever the case may be, that
mess isn't going to fix itself. Either
you gear up and beat some sense into that story, or you quit writing. Personally, I don't really see how that's
even a choice.
We all have excuses. Many of us have real, valid ones. That's fine.
No one is going to tell you to sit your ass down at that computer and
write after your sharks have escaped from the tank in your basement, grown
legs, and suddenly started eating people.
It's when we don't have a
valid excuse that things get messy. No more excuses! Tomorrow,
we'll talk about finding
motivation. Since it is this great beast
which no one can catch, surely there must be a way to find it?
I am guilty of numbers 1,
2, 4, and 5 as well as the unlisted 6-13.
What are your excuses? What stops
you from sitting down and creating?
Wednesday, February 1, 2012
The Battle Against Youth
Doubt. Insecurity.
Too few years. Burning, unbridled
ambition. Unequaled potential. These are the core elements of a young writer. Writers live in an expanse of nothingness, hindered
not by boundaries or walls. Young people
live in a world of extremes. The two
often do not agree, and are often at war inside our brains.
Young writers, say, under
the age of 25, have a whole different perpective of the nothingness before them
that is the creative void. Populating
that void are the shadows of every writer and successful person they've ever
admired, hated, aspired to be. They
hover like Godzilla over the streets of our minds, every glance a judgement and
every motion a challenge. Most young
people feel oppressed by what we believe are dictators over our writing, the
shadows of everything that isn't us. I went through that phase myself (I promise,
I'll say something about my age later).
Without the wisdom that
years of trying and failing and succeeding over and over again into infinity brings,
a lot of young writers have trouble accepting their inexperience. We want to be older. We want to believe that we're as good as the
greats, while secretly knowing we're not.
It's a battle, and not one that a sword or laser beam shooting dinosaurs
can fix. Hard to believe, but it's true.
Aside from all of the
personal doubts and insecurities housed by our young minds, there is enemy that
is the outside world, the vast network of writers and authors and storytellers
who make it all look so damn easy. And they're all better than us, or worse, we
think we're better than them. We're
stuck thinking that we have to fight so hard to be heard, and that the vigor of
our battling will make up for the years we lack.
The truth is, there are extra battles to fight. There are more monsters to slay, more monkeys
to cage. Not only are young writers
fighting against the other 99%, most of whom are older, wiser, more
knowledgable about the world, we're fighting against ourselves. Often, we don't know any other way to fight
than to press on and hope the years reward us with the tools needed to craft a
story the 'proper' way.
That went off on a
tangent. I apologize. The point is, writing is hard for
everyone. Learning to love and accept
the battles, learning which Vorpal Sword of Shattering works best against the
looming bestsellers of the great artists is all part of the process, no matter
how old you are. But as a young writer,
we're not going in with the Vorpal Sword of Doorstopper Destroying. We're going in with sticks and paper hats,
afraid of the enemy but sure that we can win.
Without the support of those older and wiser than us, we would surely
lose the battle
Now, I promised I would
write about my age. At the tender age of
only two and twenty, I feel as I've lived for a thousand years. As my grandmother would say, I'm an 'old
soul'. I've been through the
battles. I've slain the demons and
Grendel-beasts. At times, I've thought
about putting up the sword and pursuing a safer, easier path of life. That's not who I am. I have many, many more battles and beasts to
overcome, and just as many stories to tell.
So carry on,
penbearers. Help the young, conspire
with the old(er), support each other.
Send dinosaurs armed with AK-47s at all of your insecurities and fears
and misguided beliefs about being too young or too old or too this or that to
tell a story and tell them, in a strong, passionate voice: "Shoot to kill."
(I rewrote this post
somewhere around four times. Trying to
put into words something that is hard to pin down is...well, hard to pin down. One day, I may revisit the topic.)
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